The great Moroccan Israeli singer Neta Alkayam covers a song from Jacob Abitbol -- father of the much better known Moroccan Jewish singer Haim Botbol. On Haim Botbol, please check out this post from the invaluable blog Jewish Morocco Jukebox. Jacob, the post says, was a respected vocalist and violin player who released a number of 45s in Morocco during the 1950s. I've not been able to find much else about Jacob. The video is, it's not surprising, drenched in nostalgia.
Update, January 11, 2017. Here is the original, Jacob Abitbol's "Khoti Khoti Ghadroni," posted on YouTube by the inimitable toukadime.
I'm in the middle of trying to finish off an article about pop-rai, and hunting for photos of Cheb Khaled and his first band, Les Cinq Étoiles (Ennoujoum El Khams). It was modeled after the Moroccan neo-folk bands like Nass El Ghiwane that were so popular in Morocco, and then were disbanded after Morocco invaded and occupied Spanish Sahara in 1975. Khaled formed the group in 1971 or 1972, performing Moroccan neo-folk material, but by 1974 he was already doing his own material, with "Trig Lycée."
In the course of my research I came across this photo:
I found it here -- a YouTube video created for the posting of a Cheb Khaled song called "Rayha Ghaydana."
The posting suggests the recording was released in 1979. A Khaled discography that I found (where? I now can't remember) states that this song is from Cheb Khaled's second cassette release, with the name Deblet Galbi. Khaled's first recording (Trig Lycée -- a cassette with four songs) came out in 1974, so this seems like a long gap, as "Trig Lycée" was a hit, but...I just don't know. The musicians shown here could be the ones who played on the Deblet Galbi recording. On some of the tracks, you also hear a guitar. Khaled, of course, plays accordion. Were these guys in Les Cinq Étoiles? Did they also appear on the Trig Lycée release?
Still hunting...I do love the fact that people post photos with YouTube vids.
I had actually seen the trailer for Logan in the movie theaters last
week, but this scene flashed by so quickly that I don't think I noticed
the kufiya. Today's New York Times has a short article by Michael Gold
called "4 Trailers That Have Us Excited for 2017." One of the four trailers the article features is Logan, starring Hugh Jackman, and it's accompanied by this photo. In the trailer, this scene is to be found at 1:20. It appears, based on what I can deduce from the trailer, that the Logan character is being chased down, in the US, by military types. The kufiya on the soldier would appear to reflect that he had done service in Iraq or Afghanistan, where the wearing of kufiyas by soldiers has been quite common over the last 14 years, and I've documented several instances on this blog. I own a military issue kufiya, khaki colored, that is flame retardant, given to me by someone who served in Iraq.
Early August 1966. I was 16, on "home leave" from Beirut with my family, staying with friends in Los Gatos, where we had lived before moving to Beirut in January 1964. I had friends in Los Gatos who played in a rock band (for the life of me I can't remember their name). The drummer was Randy Ritchie, who passed away in 2012. They took me along to the club, Losers South, in San Jose, on a few occasions, because they performed there on occasion. This was the first live rock show I ever went to in the US (I'd seen bands in Beirut, of course).
I don't remember whether it was the first night I went that I saw Jefferson Airplane perform. I was really blown away, I'd never heard anything like it. This was when Signe Toly Anderson was the female lead singer. She was to leave the band shortly thereafter, doing her last show in October 1966. The Airplane's first album, Jefferson Airplane Takes Off, was released in August as well, and I grabbed a copy and took it back with me to Beirut. Wish I still had it!
The opening band the night I went (not sure which of the dates) was Big Brother & the Holding Company. I have to admit that they were too loud and intense and I was not into them. This was less than two months after Janice had joined the band -- she first performed with them on June 10, 1966. Of course when I returned to the US in 1968 for college, I had seen the error of my ways, and I went to see them live that fall.
The one thing I remember about the show was that there was a go-go dancer onstage with the Airplane while they were playing. This was a common feature of shows in the early to mid-sixties but it went out of style with the rise of psychedelia. I think the presence of the dancer must have been something that the club management put on the program. I have to say that at the San Jose there was no flavor of the emerging psychedelic scene that was emerging 60 miles away in San Francisco. Check out this footage of the Airplane playing at the Filmore in 1966 -- there was no light show in San Jose, that's for sure. (The sound is not live, it's from the record, but you can see Signe Toly Anderson onstage.)
I found a blog post which has this to say about the Losers South club: "The venue never caught on, both because of the terminal unhipness of San
Jose and the fact that Losers South was apparently notorious for not
paying its acts (and no doubt, unlike the Avalon would not even give
unpaid bands a kilo of weed)." Well, at least it was hip enough to book the Airplane and I got exposed! [Added 23 August: Another thing that was great about Losers South was that I was allowed in as a teenager, aged 16. There was no checking of ID. I didn't have one!]
The poster -- which I now of course wish I had snagged -- was apparently designed by Stanley Miller ("Mouse") and Alton Kelley, whose most famous psychedelic poster work was for the Grateful Dead.
Professor of Anthropology, University of Arkansas. Author of Memories of Revolt: The 1936-39 Rebellion and the Palestinian National Past. Co-editor of Palestine, Israel and the Politics of Popular Culture and of Displacement, Diaspora, and Geographies of Identity.